There’s a calm in the air as I type up this review. I am currently listening to William Ackerman’s album Passage. There is a guitarist sitting under a tree and playing to the clarity of his heart and the rhythm of his soul. Sound-wise, the album definitely falls under the new age genre, although this doesn’t have the same ambiance as a record full of synthesizer and electronic effects. It’s mainly a steel string guitar record, but the album also features piano, cello, violin, and English horn on individual songs. The sixth song on the record, “Hawk Circle”, for instance, has the piano playing a beautiful melody that circles in on itself multiple times while remaining in unison with the acoustic guitar. It’s clear there is a sad quality to the song, with my guess being that the song is about clash of hawks battling each other in the forest, a sad moment indeed to see nature fight herself.
Songs like the second track, “Impending Death of the Virgin”, present the guitar as an awakening of sorts, bringing to mind all of the things we associate with virginal qualities, both sexually and metaphorically. It feels good to understand how things work in the world, but there is a deadly quality to hearing the guitar tell you what you’re gaining, understanding, and what you’re losing, innocence. It’s a coming of age within an instrumental context.
Passage is the closing track on the record, and it definitely feels like a continuation of the music journey at a later time. It constantly flows and features only the guitar, a fitting way to end a predominantly guitar-based record to begin with. In this song, I imagine crossing a river leading to a waterfall surrounded on both sides by two stone monuments… essentially this scene from Lord of the Rings, and just as cool.