To call this a review of an album would be wrong on my end. I’ve been listening to Nick Drake’s Pink Moon everyday for the last eight months. Initially, I had no reason to listen to his music at all. It seemed too confessional and rural for my tastes. I felt that the music was incredibly simple and barren on Pink Moon, featuring only a guitar and Nick Drake’s vocals.
But while there was certainly a rural sound to it similar to his first album, Five Leaves Left, I began to realize that this album had more of a street vibe going on. You know, just a man singing and playing his guitar on the side of the road for passersby. Don’t get me wrong, Nick Drake doesn’t sound anything like an amateur street-player. He’s an incredibly gifted guitarist and songwriter, and playing his guitar parts and singing simultaneously is more like rubbing your belly, tapping your head, tapping your foot and milking a cow at the same time, and then some. He’s got a great sense of timing and a unique since of Rhythm within a flow-like state of tempo.
Songs like “Which Will” and “Place to Be” really have that rhythm I am talking about. As a result of only playing guitar and singing on this record, the guitar has to fill a large space, functioning as both the rhythm, the melody accenting the vocals, and the instrumental portions of each song. Better, still, is how Drake complements the intricate guitar lines with odd times to come in for vocals. The accent for the vocal melody in “Place to Be” and “Parasite” comes in at the 2nd beat instead of the first. Because of the way he phrases his vocals on this album, we’re given a sense of that existential unease. Rather than simply singing of his loss of direction or purpose, each song serves to elevate that unease. We never really get a break from that unease either. Even approaching the end of the album, “Free Ride” and “Harvest” have mysterious and beautiful rhythms and melodies playing with each other. And of course, the constant bass notes on “From the Morning” closes the album with a since of optimism and that uneasiness. Like I said, there’s never really a break in the songs. They aren’t necessarily directionless or constant, but they do give off the feeling of a directionless, yet hopeful man.
Every song on the album, while short in length, is introspective and relatable in a human sense. Which is part of what made this album so close to me, because much of what he sings about had the same feelings and thoughts I had last year after nearly two years of depression. The music I was writing at the time was very angry, yet my own music lacked that sense of loss and motionlessness. While minimal in nature, Nick Drake’s Pink Moon conveys a very human record with questions and issues every individual human encounters at some point in life. And this is also likely the reason why I fell so deeply in love with the album; because of the nature of the record, I had a companion of sound to my own bouts of depression and, because of it, I’ve survived to let others know that there is music from people who know what you’re going through.