I recently went to a Barnes and Noble and perused the science fiction and fantasy sections as I always do. Usually I walk away empty-handed, as I don’t always like buying books, but this particular one caught my eye because Rush is one of my favorite bands!
I haven’t read every story in here yet, but I have read the one that is a sequel to the song “2112” and the one based on the song “Subdivisions”.
“2113” is a more direct sequel to the song “2112” than “Subdivions” story is, but there are similarities between each of them. Themes of oppression, the eradication of free speech, and a sense of rebellion in a world of conformity comprise the primary themes in these two stories.
The band TOOL recently released Fear Inoculum, their fifth album, on August 30th of this year. At the end of their debut week, it ended up charting on the Billboard 200 at number 1. And of course, as is typical of most rock bands that chart on the Billboard (and, in general, sell a lot of copies of an album), people are quick to say that “Rock music isn’t dead” or “The Billboard finally has real music charting”.
Sabaton’s 2019 album The Great War is their most polished and well written record. It also just-so-happens to be their worst. Objectively, that’s not saying a lot. Since their debut album, Primo Victoria, their music has been a ride through all the great battles of history, from ancient Greece to the modern day. And as they’ve progressed, their albums have gotten more and more defined. Where 2008’s The Art of War was based on the book of the same name by Sun Tzu, All the way up to The Last Stand, they’ve consistently created concept albums representing all eras of warfare and the consequences, heroes, and horrors of each era of war and battle. They’ve covered everything from the Battle of Rorke’s Drift in the song “Rorke’s Drift” (duh), where 150 British soldiers shot down and defended themselves from thousands of Zulu warriors. They’ve covered the Battle of Thermopylae in the song “Sparta”, where 7,000 Spartans held off a Persian force of 70,000 to 300,000 men. Essentially, any battle or war, they’ve likely put out a heavy metal anthem about it.
For the last five or six years, EA has become the butt of most jokes among players when it comes to publishing finished and immersive games. Franchises have been scrapped of their DLC, online shooters become wastelands, and other great games receive little to no development, including patching or love, after their release dates.