Rush: Hemispheres, Side One Review.

Rush is a thinking man’s band. Sure, they have some songs that are ridiculous and humorous in nature, such as “I Think I’m Going Bald” and “Trees” (which trees, off this album, is fantastic and about trees and how they somehow relate to oppression). In fact, they have so many songs that connect the dots between the words interesting, cool, and funny that it’s almost impossible to deny that Rush is intentionally trying to portray themselves as intellectuals bordering on obsessive comedians and expert hobbyists on their instruments.

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Boston Third Stage: Album Review

After an 8 year courtroom battle with Epic Records that Boston had won, The band, or Tom Scholz brainchild with the epic singing of Brad Delp, released the third Boston album Third Stage. While it wasn’t as massive of a financial success as the albums as Don’t Look Back (1978) and their hit-infused singles debut album (1976), Boston hit their highest music mark with Third Stage.

Comprised of ten stellar tracks, the album centers on the portion of a person’s life known as the “Third Stage” which, even though the exact age range is not given, is somewhere between 30 to 50 years old more than likely. As this album was written between 1980 and 1984, by the time of its release, The band was in their mid to late 30s (they released their debut album in their late 20s).

By the time of Third Stage’s release, Tom Scholz and Brad Delp were the only original members in the band by the time of the album’s release. Gary Pihl joined as lead guitarist for the song “I Think I Like It”, Sib Hashian provided drums, and Jim Masdea was credited with writing the short instrumental “A New World”.

The album is mostly made of ballads such as “Can’t Ya Say…”, “Amanda”, and “Hollyann”, with the former beginning with piano and the latter two beginning with 12-string acoustic parts. “Hollyann”, I feel, is a very overlooked Boston song, with the 12-string guitar portions of the song underlying the soft vocals of Brad Delp and creating a very calm and romantic atmosphere, similar to the lyrics themselves discussing the love of the 1960s during Woodstock. Then the song builds to a climactic chorus, and the singing becomes evermore romantic and powerful. During the buildup and the chorus thereafter, I usually imagine a thousand lights springing up into the air, with thousands of couples each holding the line of light while a ballad reaches thousands.

I would describe “Can’t Ya Say…” and “Amanda”, but those songs are already iconic ballads within the Boston discography.

On the flipside of the ballads, however, songs such as “We’re Ready”, “Cool the Engines”, “I Think I Like It”, and the instrumentals show off the greatest part about Boston; the ability to switch between soft ballads and happy rockers while still being able to switch comfortably between the two like in the song “To Be A Man”.

The intro song to “Cool the Engines” known as “The Launch”, in particular, has a hard rock and spacey feel to it. I especially love when songs try to evoke an atmosphere separate from love ballads, and while I love the ballads on Third Stage, I tend to listen to the harder rocking material more than the ballads.

All-in-all though, for me Third Stage remains Boston’s magnum opus. It’s with this album that all the years of analog innovation and the creative mind of Tom Scholz came together in an album of unending beauty, philosophy, and that classic, savory Boston guitar tone. Alongside the equally airy and massive vocals of Brad Delp, Third Stage takes to the skies and reaches its destination, or “My Destination”, if you wanted the pun there.

Score: 9/10

The First Space Colony: Boston’s Debut Album Review

Boston’s debut album, released in 1976, would eventually go on to sell 25 million copies worldwide.

After 43 years of traveling through space at the speed of light, the crew and I aboard the SS ‘Boston’ have finally reached our destination; a brand new planet for humanity to colonize. Along the way, we each brought some of our favorite records to listen to. I decided to bring Boston’s self-titled debut, and with all the out-of-this-world noises that songwriter Tom Scholz strings along on guitar with the soothing and conversely epic melodies and harmonies of singer Brad Delp, I couldn’t have made a better choice.

The spaceship finally touched down on the planet about ten minutes ago. A brief amount of turbulence and we could finally have some Peace of Mind. I keep constantly wondering at what we’ll find on this new planet. A semi-intelligent extraterrestrial species? New lifeforms? What new challenges we’ll encounter? As I can see, the planet is rich with lush green forestry, a gorgeous blue sky, scattered clouds and a whole lot of room for human colonization. Maybe we could finally build our sky structures, arrow-shaped objects that point and expand upwards for gravitational and life-support purposes.

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Why I Collect Vinyl Records

Red vinyl record with stylus

I know this question has been answered a million times, and I likely have no new, inherent information to pull people to my reasons on why people collect vinyl records, but I nonetheless will write on this topic.

Nowadays, with the plethora of formats that we can listen to music on, it might often take most people by surprise that a small portion of the population in the world still collects vinyl records. I know that for me, when I was first introduced to this hobby of collecting records I was incredibly hesitant to begin it.

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Rush’s Fly By Night

Album cover for Rush’s second album depicting an owl ready to take flight and snow on the ground, likely referencing the cold and snow of Canada.

In the year 1974 Rush released their self-titled debut album, funded both through the band members themselves and manager Ray Danniels. Shortly before beginning an arduous touring schedule across the United States opening for Uriah Heap and Manfred Mann, the band ran into some complications that needed to be resolved before moving forward.

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